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      <blockquote>
        <p align="left">&nbsp;</p>
        <h2>Frequently Asked Questions with Mickey </h2>
        <br />
        <table cellpadding="2" cellspacing="2">
		  <tr>
            <td width="19" align="left" valign="top">Q: <br /></td>
            <td width="583" align="left" valign="top"><div align="left">
			  <em>Can you provide a schematic for London Power's power scaling?</em>
			  </div></td>
          </tr>
		  <tr>
            <td valign="top">A: <br /></td>
            <td align="left" valign="top"><div align="left">It can be found in
                the book &quot;The Ultimate Tone, Volume 4&quot;, by Kevin O'Connor.  Your best course
                of action is to start at  <a href="http://www.londonpower.com" target="_blank">London
                Power / Power Press </a>. <br />
			<br />
            </div></td>
          </tr>
          <tr>
            <td align="left" valign="top">Q: <br /></td>
            <td align="left" valign="top"><div align="left">
			<em>What is the actual schematic used for my Londoner 18 watt amplifier? </em>
            </div></td>
          </tr>
          <tr>
            <td valign="top">A: <br /></td>
            <td align="left" valign="top"><div align="left">
			It can be found right here:&nbsp; <a href="http://www.soultoneamps.com/Londoner18/Lon18schem.pdf" target="_blank">Londoner 18 schematic </a>
			<br />
			<br />
            </div></td>
          </tr>
          <tr>
            <td align="left" valign="top">Q:</td>
            <td align="left" valign="top">
			  <div align="left">
			  <em>Did you post a 20 watt clone Lead &amp; Bass Schematic and Layout?</em></div>			</td>
          </tr>
          <tr>
            <td valign="top">A:</td>
            <td align="left" valign="top">
			  <div align="left">
			    <p>Sure did, here's the<a href="schematics/20watt61xschematic.pdf"> 2061X
			        Lead &amp; Bass Schematic</a>, and
			        <a href="schematics/20watt61xlayout.pdf">here's The 2061X Layout </a>.
			         We'll be offering a kit of this amp soon! </p>
			    <p>I posted these on a few online forums I frequent, however it's since
			      come to my attention that somebody has already ripped off my
			      credit, and is floating these around the internet without my
			      name on them. Shame on you - it was
			      a LOT of work to make them, and I don't mind them being shared
			      with the world,  but NOT
			      with my artist's credit &amp; Soultone Copyright removed. Please destroy
			      the documents, and only circulate these. Better still, put
			      a link to these so when there's updates, you can get the latest
			      greatest circulated. </p>
			    <p>The rest of you - sorry for the rant, and enjoy! I'll have a 20wattamp
			      forum up soon for those of you interested in building clones
			      of this fine amp! </p>
			    <p>Thanks! - Mickey <br />
			      <br />    
			      </p>
			  </div></td>
          </tr>
          <tr>
            <td align="left" valign="top">Q:</td>
            <td align="left" valign="top"><div align="left"><em>On the Londoner Combo, how do I remove the chassis? </em><br />
            </div></td>
          </tr>
          <tr>
            <td align="left" valign="top">A: <br /></td>
            <td align="left" valign="top"><div align="left">We would rather that you didn't. If you are after a view inside, we can provide you pictures of your very amp. We have them all on file. However, if you feel you must, do as follows: <br />
                  <ol>
                    <li>With the unit plugged into a wall outlet, leave powered off for 30 minutes (drain internal capacitors). <br />
                    </li>
                      <li>Unplug the power cable, first from the wall, then from the amplifier <br />
                      </li>
                      <li>Lay the amp face down on a soft surface (like carpet) </li>
                      <li>Disconnect the speaker from the speaker output jack </li>
                      <li>Remove the four outside screws holding the upper back panel to the cabinet. </li>
                      <li>Lift the entire assembly out of the amp, and&nbsp; set on a soft surface. </li>
                      <li>Now, remove the inner screws on the back panel - these actually attach the panel to the amplifier chassis. </li>
                      <li>Don't touch anything - there could be lethal voltages present. </li>
                      <li>Reverse this order to reassemble the amplifier. </li>
                  </ol>
                  </div></td>
          </tr>
          <tr>
            <td align ="left" valign="top">Q:</td>
            <td align="left" valign="top">
			   <em>Why does the Londoner tremolo channel exhibit such sensitivity to tube types? </em>			</td>
          </tr>
          <tr>
            <td align = "left" valign="top">A:</td>
            <td align="left" valign="top"><div align="left">
			It's the design implementation of the oscillator circuit designed by Marshall. While we have certainly quieted it up a bit, we have not modified it from the original 18 watt Marshall design. We recommend using a Groove Tubes 12AX7WA, or a JANGE 5751. If you feel it is overly sensitive, contact us, and we will either help you resolve it, or give you an RMA to get it back here for service. 
			<br />
			<br />
            </div></td>
          </tr>
          <tr>
            <td align="left" valign="top">Q:</td>
            <td align="left" valign="top"><div align="left">
			<em>Why does exclusively use Mercury Magnetics Transformers? </em>
            </div></td>
          </tr>
          <tr>
            <td align="left" valign="top">A:</td>
            <td align="left" valign="top"><div align="left"> 
			   They are simply the best  sounding transformers currently available.
			       By special order we can use some of the other variants, including
			       the excellent sounding sets from Heyboer.
              Our top choice is Mercury! <br />
			  <br />
			  </div>			  </td>
          </tr>
          <tr>
            <td align="left" valign="top">Q:</td>
            <td valign="top"><div align="left"><em>Which speaker output jack should be used with the internal speaker?</em><br />
            </div></td>
          </tr>
          <tr>
            <td align="left" valign="top">A:</td>
            <td align="left" valign="top"><div align="left">
			On any Soultone amplifier, the speaker jack closest to the impedance
			    selector should always be connected. <br />
			<br />
			</div></td>
          </tr>
          <tr>
            <td align="left" valign="top">Q: <br /></td>
            <td align="left" valign="top"><div align="left"><em>I thought my speaker(s) would&nbsp; be a Celestion G12H30, and it says "Hellatone 30" instead. What's the deal? </em><br />
            </div></td>
          </tr>
          <tr>
            <td align="left" valign="top">A: <br /></td>
            <td align="left" valign="top"><div align="left">The Hellatone 30,
                by Avatar speakers, is in fact an aged Celestion G12H30. If you
                look on the outside rim of the speaker magnet, you will find
                the actual celestion label. The aged speaker provides you with
                a better tone from day one; it's an excellent match for the Londoner
                18.
			  If you really want it to say &quot;Celestion&quot; the Hellatone label easily peels
			  off. However, it's worth less as a plain old, non-aged, Celestion.<br />
              <br />
            </div></td>
          </tr>
          <tr>
            <td align="left" valign="top">Q: <br /></td>
            <td align="left" valign="top"><div align="left"><em>You state the
                  Forty-Five amplifier contains some form of power attenuation...
                  could you be more specific? </em><br />
            </div></td>
          </tr>
          <tr>
            <td align="left" valign="top">A: <br /></td>
            <td align="left" valign="top"><div align="left">
			  By special arrangment London Power, Ltd., inventors of the technology
			      called &quot;Power Scaling&quot;, the Forty-Five is indeed a
			      Power Scaling amplifier. The amp utilizes many innovations
			      championed by Kevin O'Connor of <a href="http://www.londonpower.com" title="London Power" target="_blank">London
			      Power/Power Press</a>, and author of the acclaimed &quot;The Ultimate
			      Tone&quot; series
			      of books on tube amplifier design.
            Soultone, with the assistance of London Power, has developed its
            own Power Scaling boards, and does not incoporate the Power Scaling
            Kits that Kevin Sells. For this reason, he listed Soultone as &quot;Variable
            Power&quot;, but it is in fact Power Scaling. <br />
			<br />
			</div>			</td>
          </tr>
          <tr>
            <td align="left" valign="top"><div align="left">Q.</div></td>
            <td align="left" valign="top"><div align="left"><em>The Forty-Five
                  information states that you can use a number of different octal
                  power tubes. I have read contrary information about using different
                  output tubes in a power amplification section. What's the concern? </em></div></td>
          </tr>
          <tr>
            <td align="left" valign="top"><div align="left">A.</div></td>
            <td align="left" valign="top"><div align="left">
              Sure, we've all heard these disccusions before - there is much controversy regarding reflected loads from the speakers to the output transformer primary, and impedance matching of the output tubes. The concern is that some tubes may see a reflected load less than their &quot;optimal&quot; primary impedance. The unfortunate confusion is because people tend to think of tubes as linear devices, which they are not. Transistors would attempt to deliver twice the current into one-half the load. Tubes, in simple terms do not. In fact, they will simply deliver the same power output (determined by their voltages), with a higher Total Harmonic Distortion. Output transformers convert high-voltage low-current swings from tubes to low-voltage high-current swings for speakers. Reflected loads are seen by the amplifier section, not the speaker, so there is no concern going the other direction, and as stated above, the net result to the tubes is merely higher THD. Also, remember that speakers are reactive devices - so transformer primary impedances are always nominal - meaning the fact is they are indeed varying as the impedance of the speaker is varying with different frequencies. The original application of tubes for power amplifiers was very concerned about THD being of a low-order - remember these were used for Hi-Fi, Avionics Radios, commercial broadcast, and a number of other applications where THD would make the signal unintelligible. Conversely, tubes are admired and used (nearly exclusively for this reason) by guitar players for their THD characteristics. So don't worry about the THD - power dissipation (for the power bandwidth) in sum is unchanged. In fact many of us want to explore and experiment with the varying distortion made available in this fashion.
			  <br /><br />
              The real concern to be mindful of in swapping tubes is A)the power
              transformer is not delivering more than the maximum specified voltages,
              B)the bias has a range capable of handling the different tubes,
              and C)the filament supply has enough current for the different
              tube types. A further design consideration is, if all the above
              is true, the amplifier should have the capability to provide independant
              bias adjustments for running different tube types. All of these
              engineering constraints have been properly applied to the Forty-Five.
              <br />
			  <br />
            </div></td>
          </tr>
          <tr>
            <td align="left" valign="top">Q: <br /></td>
            <td align="left" valign="top"><div align="left"><em>Can I purchase a Soultone kit? <br />
            </em></div></td>
          </tr>
          <tr>
            <td align="left" valign="top">A: <br /></td>
            <td align="left" valign="top"><div align="left">
			   YES! See the pricing page, we are now offering kits of the 2061X
			       amp. The production Londoner 18 or Revolution 45 is only available
			       as a finished product. Occassionally we also have discontinued
			       versions of product parts available. Contact us to find out
			       if there are some surplus items available.  A JTM-45 kit can
			       be purchased from <a href="http://www.metroamp.com" title="Metro Amps JTM kits" target="_blank">Metroamps</a>.
			   <br />
               <br />
               </div>			</td>
          </tr>
          <tr>
            <td align="left" valign="top">Q: <br /></td>
            <td align="left" valign="top"><div align="left"><em>What's the lead time for a custom ordered amp? <br />
            </em></div></td>
          </tr>
          <tr>
            <td align="left" valign="top">A: <br /></td>
            <td align="left" valign="top"><div align="left">Quality takes time. Contact us, and we'll let you know what the current lead time is. 
			<br />
			<br />
            </div></td>
          </tr>
          <tr>
            <td align="left" valign="top">Q: <br /></td>
            <td align="left" valign="top"><div align="left"><em>I purchased a Soultone Amp used - can I get it covered by warranty? <br />
            </em></div></td>
          </tr>
          <tr>
            <td align="left" valign="top"><div align="left">A: <br />
            </div></td>
            <td align="left" valign="top"><div align="left">That's a difficult question, and may even be complicated by laws in your state. Contact me, and let's discuss it on an individual basis. <br />
            </div></td>
          </tr>
          <tr>
            <td align="left" valign="top">&nbsp;</td>
            <td align="left" valign="top">&nbsp;</td>
          </tr>
          <tr>
            <td align="left" valign="top">&nbsp;</td>
            <td align="left" valign="top">&nbsp;</td>
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        <p align="left">&nbsp;</p>
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